The Park’s
The Other Festival - 2004
Music. Dance. Drama.
Art. You.
The Chinmaya
Heritage Centre, Chennai |
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• CRITICS SPEAK
ON The
Park’s THE OTHER FESTIVAL |
The Other
Festival has never looked back since it took off in 1998.
Ameeta
Agnihotri, JETWINGS, October 2004
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The Other
Festival truly marks the “Other” to the celebrated classical music and
dance season of Chennai. Dancer Anita Ratnam and connoisseur Ranvir Shah
deserve special applause for bringing in a delectable array of works from
the world over.
Aniruddh
Vasudevan, NARTANAM, Vol.VI, No.4, October-December 2004
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The mother
of all others is here. Other music, dance, drama. Of course, we are all
talking about The Other Festival.
Express
Features, CITYEXPRESS, Chennai, Wednesday, November 17, 2004
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Another
energetic, creative movement to entertain the audience.
NEWSTODAY,
Chennai, Wednesday, 17 November, 2004
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The Park’s
The Other Festival features the widest range of countries yet, with noted
diasporic talent and artistes visiting city colleges, interacting with
the community.
TRINITY
MIRROR, Saturday, 20 November 2004
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Come December
and the various city halls in the city resonate with ragas and the sound
of anklets… December is also the time for The Park’s The Other Festival,
the annual showcase of contemporary arts.
Metroplus,
THE HINDU, Wednesday, November 24, 2004
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The Other
Festival, which enters its seventh year of existence, has grown considerably
in terms of budget, performances and the geographical area from which artists
come.
Susan
Muthalaly, THE FINANCIAL EXPRESS, Chennai, Sunday, November 28, 2004
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For the
first time, some of the vents of the Other Festival will be taken outside
of the hall to ‘other’ performance spaces and alternative audiences.
Express
Features, The New Sunday Express, November 28, 2004
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It’s that
time of the year again, when Chennai is all set to witness a plethora of
cultural activities. And to add to the festivities and celebration of the
‘music season’, The Other Festival…with performers from across the globe…
ET
Madras Plus, Thursday, December 2, 2004
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It was
not long before the city woke up to the possibilities of infusing other
art forms into the spectrum of tradition and realized that the new forum
had many charms…nothing is more symbolic of that when the hall is almost
full and there is a cross section of audiences waiting to see what the
organizers of The Other Festival have for them each evening…the event has
become a much-awaited one – an occasion when art and intellect interact…with
many more sponsors and with the same finesse and perfection…
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 3, 2004
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It was
born over a midnight cup of coffee…seven years on, as 15 teams from all
over the world get ready to gather at Chennai…”The Other Festival” seems
to have got under the city’s cultural skin.
Radhika
Giri, INDIA TODAY, 6 December, 2004
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The Other
Festival has won its spurs. It is no longer something rich and strange.
It has arrived and is a part of the Chennai cultural scene. Rom the beginning
the promoters have presented an alternative vision instead of dissipating
energy in strident critique of the mainstream festival. And now we have
two sets of values, a win-win situation.
N,
Vaidyanathan, The Arts Column, CITYEXPRESS, Chennai, December 9, 2004
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From ideas,
to form, from form to abstraction, from intensity to humour, The Park’s
The Other Festival without question is a forum to air your views…Both the
Arangham Trust and the Prakriti Foundation with all their members made
the event warmly personal and interactive enough for you to want to go
back the next year.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 10, 2004
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The festival
is a carnival…With all this going-on, the two front-runners and heralds
of the festival – The Other Festival and Jay TV’s Marghazi Mahotsavam led
the way smartly. Nothing tentative about their moves. By just being
themselves, they held the mirror up to the face of the mainstream festival,
letting them take a long cool look at themselves if they should wish to
do so. But the vital objectives they have achieved is to bring other cultures
closer to ours. Blessed be the bridge-builders.
N,
Vaidyanathan, CITYEXPRESS, Chennai, Saturday, December 11, 2004
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The organization
of The Other Festival has always been superb. The hospitality, the arrangements
for accommodation, transportation for artistes, the choice of venue, the
artistic arrangements on stage and even the ushering of visitors to the
venue have always been of a high standard...Every year “The Other Festival”
tries to do different things. This year they have included a film package
into their schedule, …outreach programmes…and working towards sensitizing
the audience about the significance of the “otherness” of The Other Festival.
Vasanthi
Shankaranarayanan, DECCAN HERALD, Bangalore, December 12, 2004
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The blossoming
of the festival into a cluster of thematic mini-festivals is welcome… So
is the stimulus of challenge, the phoren look at our desi ways posed by
The Other Festival.
N.
Vaidyanathan, CITYEXPRESS, Chennai, Saturday, January 10, 2005
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ON
EERO HAMEENNIEMI (Finland) & INDIAN COLLABORATION “Mylapore Variations”,
Music
December
1, 2004
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The Other
Festival opened with very alternative pieces that set the tone for other
performances to come. Wednesday evening saw Mylapore Variations and Parijat
Desai and Dancers entrall the audience with music and dance respectively.
Express
Features, CITYEXPRESS, Chennai,Friday,December 3, 2004
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Aptly titled,
“Mylapore Variations”, the composition presented a basic theme and five
variations upon it.
Aniruddh
Vasudevan, NARTANAM, Vol.VI, No.4, October-December 2004
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The evening
saw a gentle representation of what he does with notes, melody and rhythm
with the percussion and string instruments.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 3, 2004
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His interesting
ensemble, consisting of harmonium, cello, violin, gottuvadhyam and mridangam,
played a basic theme and five variations upon it.
Aniruddh
Vasudevan, www.narthaki.com, December 2004
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ON
PARIJAT DESAI & Dancers (USA), “Quiet/Fire”, Contemporary Dance
December
1, 2004
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Their presentation
was remarkably fresh and strong. Dressed in elegant cream costumes and
executing martial movements, the dancers established the atmosphere of
intense physical discipline and austerity.
Aniruddh
Vasudevan, NARTANAM, Vol.VI, No.4, October-December 2004
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Though
nothing was casual, the movements suggested a practised abandon that comes
from hard work and intense coordination….the magnificent thing was the
use of space within which the exploration of body and soul crossed many
themes and ideas.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 3, 2004
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“Quiet”–
a quality of sound…a quality of the absence of sound…”Fire”- the most brilliant
visual idea…Quiet/Fire… a simultaneous existence of both…in the consciousness
of the warrior…where an absolute quiet must be accompanied by the power
and vigour of the fire.
Aniruddh
Vasudevan, www.narthaki.com, December 2004
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ON
JEAN-LUC PENSO &“Théâtre du Petit Miroir” – “The Fox Story”,
Theatre of Shadow Puppets. An Alliance Francaise Collaboration
December
2, 2004
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A day for
children… Jean Luc-Penso and Theatre du Petit Miroir’s delightful shadow
puppetry presentation of “A Fox’s Story” kept all the kids – actual and
grown-up – glued to their seats.
Aniruddh
Vasudevan, NARTANAM, Vol.VI, No.4, October-December 2004
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An hour
of fun and frolic with dashes of dry humour and wisecracks…simple yet filled
with many truisms…the delightfully coloured leather puppets acquired a
life of their own. The cheery French tale,,,along with a sprinkling of
highly accented Tamil dialogue took the viewers on an amusing journey.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 10, 2004
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Jean-Luc
Penso and his friends, Eric and Fabrice, had the entire audience roaring
in laughter at the totally unanticipated inclusion of witty repartee in
Tamil.
Aniruddh
Vasudevan, www.narthaki.com, December 2004
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Colourful,
funny, fast-moving…the music and narration was particularly appealing.
Vasanthi
Shankaranarayanan, Deccan Herald, Bangalore, January 9, 2005
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ON
GIL ALON (Israel), “Mr C”, Solo Theatre
December
3, 2004
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For about
an hour the audience watched as he allowed the idea to sink in and filter
through a process of everyday actions like eating, talking – was he just
a bit crazy? A series of actions and interaction…And in turn threw up the
most searching questions about life – about the ethics of cloning.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 10, 2004
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Gil Alon
had the undistracted attention of the entire audience…hitting at the systematized
and institutionalized process of mass productions of minds and mentalities
that happen even now with our consent.
Aniruddh
Vasudevan, NARTANAM, Vol.VI, No.4, October-December 2004
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I have
a weakness for single-person acts, the stretching of one’s talent to the
last inch and then some more. If Gil Alon’s act appeared to drag in the
beginning, it was a deliberate build-up, to let the soul-destroying sameness
in the life of a clone sink in. The breakdown at the climax, the passionate
cry to be let out was all that could be hoped for…See what I mean about
solo theatre?
N.Vaidyanathan,
The Arts Column, CITYEXPRESS, Chennai, December 9, 2004
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It was
interesting to see that Mr.C, who came from the land of sameness and had
acquired the aura of being “different” within seconds after his entry,
soon became, somehow, “not-so-different”!
Aniruddh
Vasudevan, www.narthaki.com, December 2004
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ON
CHITRALEKA BOLAR (UK), “The Story of C”, Contemporary Dance (Group)
December
3, 2004
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A dramatic
splurge of colour, sound, light and rhythm Chitraleka Bolar and her dancers
wowed the audience…a very aesthetic experience.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 10, 2004
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The formation
at the very beginning was stunning and reminded one of the beautiful and
picturesque stalagmites…all the dancers had remarkable control over bodylines
and nritta.
Aniruddh
Vasudevan, NARTANAM, Vol.VI, No.4, October-December 2004
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As the
performance went on, a monotony of movements and positions did set in.
Also, the multimedia projection, for which the reflector doubled as a screen,
was at certain points a distraction more than an aid in enhancing understanding.
Aniruddh
Vasudevan, www.narthaki.com, December 2004
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ON
DENISE FUJIWARA (Canada), “Sumida River”, Contemporary Dance (Solo)
December
4, 2004
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The infinite
seemed almost tangible as Denise Fujiwara made her presence…the silent
but evocative butoh came to the fore to the initiated and uninitiated
alike…the slow meditative movements stilled the heart into understanding
this seemingly simple dance form…the whole thing worked at multilevel –
the physical, the metaphysical and spiritual.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 10, 2004
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Denise
retold the classic drama swathed in a bright innovation of the kimono,
her face painted white and her movements slow at one moment, engulfing
the next.
Sumithra
Thangavelu, The New Sunday Express, December 12, 2004
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The sitting,
standing, crouching and gliding were done with such internalized energy
that the result was an absolute concentration and tightness. Each step
and each small flick of the arm had drama in them.
Aniruddh
Vasudevan, www.narthaki.com, December 2004
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ON
CONSTANZA MACRAS & Group (Germany), "Back to the Present", Contemporary
Dance. A Max Mueller Bhavan Collaboration
December
5, 2004
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Details
the journey into the past…memorabilia that provide glimpses of what could
have happened forms the general theme of the production.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 10, 2004
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The performers
were at ease with everything they did on stage, including frequent encounters
with ‘the absurd’…making sense in snatches.
Express
Features, CITYEXPRESS, Chennai, Tuesday, December 7, 2004
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This two
hour long production was characterised by absolute frenzy of movement,
speech and music… With elaborate stage sets and props, the dancers, musicians
and actors of Dorky Park managed brilliantly to communicate the sense of
being “in the moment,” responding to it, winning over it, getting victimized
by it.
Aniruddh
Vasudevan, www.narthaki.com, December 2004
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ON
D’LO (USA/Srilanka) – Solo Performance Art
December
6, 2004
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Three diverse,
equally interesting and remarkably entertaining pieces presented themselves
at The Other Festival…Charged, spirited and uncompromisingly honest was
what D’Lo’s performance was about.
CITYEXPRESS,
Chennai, Wenesday, December 8, 2004
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Her artistry
lies in hip-hop style she adopts with great élan and uses poetry,
drama and music to convey what she wants to say.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 10, 2004
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ON
KSR ANIRUDDHA & DANCERS (Chennai), “Spatika – Beyond Doubt & Illusion”,
Contemporary Dance
December
6, 2004
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Exploring
new ways of movement and expression, Spatika for the most bit retained
its traditional source – that of classical dance. Percussion, words from
the Vedas, music and vocals all found their apt place in the performance.
CITYEXPRESS,
Chennai, Wenesday, December 8, 2004
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Essentially
classical in tempo and moves, the contemporary sweeping movements of exploring
space with bodies and spirit in geometric and concentric patterns made
Spatika a rather interesting presentation…another insight into the possibilities
of ideas being translated into a complete dance production.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 10, 2004
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ON
ARJUN RAINA (New Delhi) “A Terrible Beauty is Born” – A stand up tragedy
December
6, 2004
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The performance
stuns you even while making you question…there is hope, separation, alienation
and in the end, a huge question of many things we hold sacred…Raina
is brilliant.
CITYEXPRESS,
Chennai, Wenesday, December 8, 2004
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Gripping
but sad insight into the emerging trend of call centers…The sense of drama
dawned with the breathless suffocation of grief. There is alienation, death,
rejection and there is an inevitability of life that resonates through
the drama.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 10, 2004
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ON
RAMU RAMANATHAN (Mumbai) & Out of Context, “The Sanjivani Super Show!”,
English Theatre
December
7, 2004
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The production
values were truly joyous and spirited, incorporating flavours of the folk
idiom of vernacular theatre…a delightful satire rooted in Indian ethos.
Chitra
Mahesh, Friday Reviews, THE HINDU, Friday, December 10, 2004
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• What
is The Other Festival?
• The Other
Festival • 2004
• Sponsors
Speak on The Other Festival • 2004
• Photo
Gallery • 2004
|